So often I read scripts and am like 'This would never happen in real life. It's not trying to be funny. It's trying to be serious.'

Here is my prescription to heal all wounds. Watch the film 'Funny Girl' at least five times eat at least 45 chocolate bars and hang out with all those friends you blew off to hang out with your ex. I truly believe that through a combination of Nutella old pals and Barbra Streisand we can achieve happiness and very probably world peace.

It's funny. When I saw the script in my inbox and it said 'Sparkle ' I thought 'For real? It's really called 'Sparkle?'' I was wondering too how does 'Jordin Sparks as Sparkle' sound?

I read a lot of scripts that I just don't find very funny.

I thought 'Borat' was a breakthrough comedy because it was really funny. It wasn't some studio-produced script with 14 writers.

We must oppose programs that would take food from the mouths of younger generations to buy prescription drugs for old people and we must do it... for the children.

I heard about the project over a year before we began. My American agent said 'Oh you might want to read 'In Cold Blood' because they're talking about you for Capote but the script's with Johnny Depp and Sean Penn at the moment.' So these things take their time to dribble down the food chain.

Food during my early years was a very difficult issue for me. I grew up in an addictive family. My mother had serious problems with alcohol and prescription drugs. I was an overweight kid. I can remember back in those days there weren't the strategies that there are today to deal with those issues.

In Australia they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films.

I have come close to producing films. But generally by the time they hit the screen there's about 50 people with producer credits so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance.

There's so many things I want to do. I want to work with great filmmakers great actors great scripts. And there's no reason for me to do anything short of that because I'm 24 I don't have a family I don't need to make tons of money and I'm not dying to get famous.

I'm not famous for my back story investigations I'm lucky that I work with good writers and it's usually in the script.

They needed someone to write a script of The Great Gatsby very quickly for the movie they were making. I took this job so I'd be sure to have some dough to support my family.

My mother at least twice cancelled our family's subscription to the newspaper I was working on because she was so mad about its treatment of my father.

It all starts with the script: it's not worth taking myself away from my family if I don't have something I'm really passionate about.

Red Letter Christians believe in the doctrines of the Apostle's Creed are convinced that the Scriptures have been inspired by the Holy Spirit and make having a personal transforming relationship with the resurrected Christ the touchtone of their faith.

If you desire to be pure have firm faith and slowly go on with your devotional practices without wasting your energy in useless scriptural discussions and arguments. Your little brain will otherwise be muddled.

Pharmaceutical companies are enjoying unprecedented profits and access with this Administration. Yet the Republicans' prescription drug plan for seniors has been a colossal failure and over 43 million Americans wake up every morning without health insurance.

Don't fear failure so much that you refuse to try new things. The saddest summary of a life contains three descriptions: could have might have and should have.

I'd done table reads for my own screenplays and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater where you get to see plays produced by different directors and different casts but there's really nothing like that for movie scripts.

My experience is that's rare - that you have a script that is... what they call 'film-ready.'

I loved the material when I first read it and the experience of making the film was a great one. So when we came around to complete the trilogy I just signed on board without even reading the scripts because the experience of the first film was so good.

Myth is an attempt to narrate a whole human experience of which the purpose is too deep going too deep in the blood and soul for mental explanation or description.

And they were writing scripts where Christine had hit the glass ceiling. And I always thought Christine would never hit the glass ceiling. I thought her dreams would take her. Maybe her dreams wouldn't take her where she wanted but she still had her dreams.