A person needs at intervals to separate himself from family and companions and go to new places. He must go without his familiars in order to be open to influences to change.
The plain man is familiar with blindness and deafness and knows from his everyday experience that the look of things is influenced by his senses but it never occurs to him to regard the whole world as the creation of his senses.
Film is such a bizarre vehicle for acting. It's such a bizarre experience. I don't think you ever really get familiar with it. If you do get familiar with it you're probably not that good anymore.
The simplest schoolboy is now familiar with truths for which Archimedes would have sacrificed his life.
One of the things I've started doing lately is tracking my dreams. I feel like there's a lot of information there and you can really bring those emotions to the situations that may feel mundane or familiar. That gives them new life and gives you a new relationship with it - if that makes any sort of sense.
In Dreams... well I was slightly overcompensating with that. I was a bit like a director for hire so maybe I was putting too much imagery that was familiar to me into it.
The way to kill a man or a nation is to cut off his dreams the way the whites are taking care of the Indians: killing their dreams their magic their familiar spirits.
Somehow knowing that Alzheimer's is coming mocks all one's aspirations - to tell stories to think through certain issues as only a novel can do to be recognised for one's accomplishments and hard work - in a way that old familiar death does not.
Your body must become familiar with its death - in all its possible forms and degrees - as a self-evident imminent and emotionally neutral step on the way towards the goal you have found worthy of your life.
Death is with you all the time you get deeper in it as you move towards it but it's not unfamiliar to you. It's always been there so what becomes unfamiliar to you when you pass away from the moment is really life.
It is difficult to accept death in this society because it is unfamiliar. In spite of the fact that it happens all the time we never see it.
You're talking to someone who has been married to various people for the last 40 years of her life. Dating is not really something familiar. I've never really been a dater.
Every night I fell asleep to a different Beatles album. So I'm very familiar with the Beatles Ringo was my favorite Beatle until I grew up and then changed. I made the switch over to George Harrison just in time to regain my cool.
Walt put everything he knew about communication with images into the park so it was very familiar.
In communications familiarity breeds apathy.
It takes a lot of courage to release the familiar and seemingly secure to embrace the new. But there is no real security in what is no longer meaningful. There is more security in the adventurous and exciting for in movement there is life and in change there is power.
I could play it safe by recording songs that are familiar but am I expanding myself as an artist by doing covers? It's a catch-22. It's called show business: The word 'business' is in it and you've got to be a businessman. But then again you have to be true to yourself as an artist.
I think early on I knew what I was going to do and it was based a lot on familiarity but it was also because I didn't have a lot of skills. There was nothing I wanted t be. I didn't want to be a doctor. I wanted to be in show business.
Familiarity is a magician that is cruel to beauty but kind to ugliness.
Solitude gives birth to the original in us to beauty unfamiliar and perilous - to poetry. But also it gives birth to the opposite: to the perverse the illicit the absurd.
Poetry lifts the veil from the hidden beauty of the world and makes familiar objects be as if they were not familiar.
It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene and as if by magic we see a new meaning in it.
I don't think I could play a character that I couldn't relate to somehow. I'm not unfamiliar with frustration anger shame helplessness and a load of other emotions that make up our psycho-soup. I try to focus on that frustration that sense of unfairness and multiply it.
What an amazing opportunity to do something like direct a movie and step out of your creative comfort zone and yet do something that is also so familiar at the same time. I was also just excited to have the chance to direct which I may never get to do again.