Our managers hadn't had that kind of success - the record company hadn't we hadn't - and the feeling was that the next record had to be even bigger and if it wasn't it would be some kind of failure.
Feeling is the consciousness of the resulting conditions - of success failure equilibrium compromise or balance in this continuous rivalry of ideas.
And I went to New York and died for 10 years I walked those pavements. I can't think of New York without feeling uncomfortable and feeling like a failure.
I understand the harsh feelings and sentiments from my opponents and their supporters because I myself have been defeated twice in my political life in the past and I understand very well it is hard to accept your own failure.
I find writing very difficult. It's hard and it hurts sometimes and it's scary because of the fear of failure and the very unpleasant feeling that you may have reached the limit of your abilities.
It has always seemed strange to me... the things we admire in men kindness and generosity openness honesty understanding and feeling are the concomitants of failure in our system. And those traits we detest sharpness greed acquisitiveness meanness egotism and self-interest are the traits of success. And while men admire the quality of the first they love the produce of the second.
My feeling about work is it's much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make and vice versa.
It's really fun at night because I can see the baby kicking. I can feel the knee or the foot. The baby is starting to get heavy and it's a really incredible feeling. I'm so grateful I get to experience this.
And I like to convey my feelings my emotions my experience the information I have to public use public opinion.
To me the job of the artist is to provide a useful and intelligent vocabulary for the world to be able to articulate feelings they experience everyday and otherwise wouldn't have the means to express in a meaningful and useful way.
When I'm home on a break I lock myself in my room and play guitar. After two or three hours I start getting into this total meditation. It's a feeling few people experience and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
I've told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you because you're not necessarily able to tell what's real and what's not.
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person yes but an intense condensation of his experience not simply a realistic series of episodes.
My image had always been very heterosexual very straight. So it was a nice experience for me a chance to clarify my own feelings about gay and lesbian civil rights.
Sometimes I get so bold and I'm so confident about what I'm doing that I actually try to be more of a dork because it's a really liberating feeling to experience what it's like to not care.
If we didn't want to upset anyone we would make films about sewing but even that could be dangerous. But I think finally in a film it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience.
Of two pleasures if there be one which all or almost all who have experience of both give a decided preference irrespective of any feeling of moral obligation to prefer it that is the more desirable pleasure.
I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.
I understand now that the vulnerability I've always felt is the greatest strength a person can have. You can't experience life without feeling life. What I've learned is that being vulnerable to somebody you love is not a weakness it's a strength.
If merely 'feeling good' could decide drunkenness would be the supremely valid human experience.
I love my early movies but naturalism is an artist's early style. Now I want to deal with feelings dreams an acceptance of irrationality.
Jazz to me is a living music. It's a music that since its beginning has expressed the feelings the dreams hopes of the people.
I think people tend to see the bigger point which is maybe not fitting in and feeling like you didn't have the childhood that you expected you would have or that you felt lonely or struggled with drugs and alcohol or just that you were able to achieve your dreams.
Most 'reality' shows aren't reality at all. They're game shows with no prize. Like 'Rock of Love.' His aren't genuine feelings. Then again Bob Barker didn't really care whether or not you won the toaster. Sorry to shatter everyone's dreams.
We live in an age of instant knowledge. And there's almost a sense of entitlement to that.