I would say readers can trust my work more than anyone else's.

Apart from a few simple principles the sound and rhythm of English prose seem to me matters where both writers and readers should trust not so much to rules as to their ears.

There's a unique bond of trust between readers and authors that I don't believe exists in any other art form as a reader I trust a novelist to give me his or her best effort however flawed.

When it comes to locations I'm one of those crazy authors who has to see it touch it taste it before I trust myself to recreate it for my readers. Having said that visiting a locked-down pediatric psych ward was the most intimidating research I've ever done - and I've visited maximum security prisons shooting galleries bone collections etc.

I trust it will not be giving away professional secrets to say that many readers would be surprised perhaps shocked at the questions which some newspaper editors will put to a defenseless woman under the guise of flattery.

In hard-core science fiction in which characters are responding to a change in environment caused by nature or the universe or technology what readers want to see is how people cope and so the character are present to cope or fail to cope.

Readers probably haven't heard much about it yet but they will. Quantum technology turns ordinary reality upside down.

I was one of the first authors to have an active website. I'm totally obsessed with technology. I'm always looking for ways to connect with my readers. I answer all my fan mail.

I wanted to be a teacher but I was a lousy student one of the slowest readers. It was a tremendous struggle. But I'm lucky I had some teachers who saw something in me.

If there is any secret to my success I think it's that my characters are very real to me. I feel everything they feel and therefore I think my readers care about them.

I dislike literary jargon and never use it. Criticism has only one function and that is to help readers read and understand literature. It is not a science it is an aid to art.

I have been a reader of Science Fiction and Fantasy for a long time since I was 11 or 12 I think so I understand it and I'm not at all surprised that readers of the genre might enjoy my books.

Science fiction readers probably have the gene for novelty and seem to enjoy a cascade of invention as much as a writer enjoys providing one.

The world would be a very sad place if readers could only love one story.

I know what the attitudes of the readers are: These are guys who love women and respect women.

Writing can sometimes be exploitative. I like to take a few steps of remove in order to respect the privacy of the subject. If readers make the link they have engaged with the poem.

I didn't want to be a writer but I became one. And now I have many readers in many countries. I think that's a miracle. So I think I have to be humble regarding this ability. I'm proud of it and I enjoy it and it is strange to say it this way but I respect it.

This is the point being missed by readers who lament Liquor's lack of hot sex scenes probably because they aren't old enough to understand that a passionate relationship could be about anything other than sex.

Teenage readers also have a different relationship with the authors whose work they value than adult readers do. I loved Toni Morrison but I don't have any desire to follow her on Twitter. I just want to read her books.

This is the most intimate relationship between literature and its readers: they treat the text as a part of themselves as a possession.

Among the letters my readers write me there is a certain category which is continuously growing and which I see as a symptom of the increasing intellectualization of the relationship between readers and literature.

I enjoy the Web site a lot and I like being able to talk to my readers. I've always had a very close relationship with them.

I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it.

Aside from sales the letters from readers have been primarily positive.