We know that there are unaccounted-for Scud and other ballistic missiles in Iraq. And part of the problem is that since 1998 there has been no way to even get minimal information about those programs except through intelligence means.
The reason the art world doesn't respond to Kinkade is because none - not one - of his ideas about subject-matter surface color composition touch scale form or skill is remotely original. They're all cliche and already told.