The surrealists and the modern movement in painting as a whole seemed to offer a key to the strange postwar world with its threat of nuclear war. The dislocations and ambiguities in cubism and abstract art as well as the surrealists reminded me of my childhood in Shanghai.
I was influenced by surrealist poetry and painting as were thousands of other people and it seems to me to have become a part of the way I write but it's not.
It absolutely helped - to write the father in both 'Juicy' and 'Beasts ' I had to see the whole story from his point of view. All of a sudden I understood more of what my own father must be going through - the fear the frustration the anger... the hope that he'll leave a legacy.