The absolute transformation of everything that we ever thought about music will take place within 10 years and nothing is going to be able to stop it. I see absolutely no point in pretending that it's not going to happen. I'm fully confident that copyright for instance will no longer exist in 10 years.
Vigorous enforcement of copyrights themselves is an important part of the picture. But I don't think that expanding the legal definition of copyright outside of actual copyright infringement is the right move.
Of all the creative work produced by humans anywhere a tiny fraction has continuing commercial value. For that tiny fraction the copyright is a crucially important legal device.
Pop songs are not as graceful as they used to be. Performers today haven't gone through the regimen of learning how to write. And of course everyone wants to own copyrights.
Only one thing is impossible for God: To find any sense in any copyright law on the planet.
Making movies is a very different experience in a lot of ways. It's difficult when you're used to owning the copyright and having a landlord's possessory rights - I rent my plays to the companies that do them and if I'm upset I can pull the play. But the only two directors I've worked with are pretty great.
I think art is the only thing that's spiritual in the world. And I refuse to forced to believe in other people's interpretations of God. I don't think anybody should be. No one person can own the copyright to what God means.
It's the golden age of French cinema again but it's because Sarkozy had the guts to push through copyright law.
I got a scholarship to Seattle University and I was writing arrangements for singers and everybody. But the music course was too dry and I really wanted to get away from home.