I spent four months in Prague in these blue rooms reacting to nothing and you basically place your faith in the hands of the director and the special effects co-coordinator and you keep your fingers crossed and hope that the creatures look really scary.

He was a manager one of the singers I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in a lot of my buddies.

And getting stunt coordinator Dan Bradley and everybody from the whole 'Bourne Supremacy' crew I think was real cool for our film because we do a bunch of really big jumps in this movie.