This thing is for the game of golf yeah but trust me the Europeans don't have that mentality.

My bulimia was my addiction. Hurting myself was my addiction... The music is what saved me. That's the only thing I can trust.

These are very subtle things of course and I don't expect everyone to pick them up consciously but I think that there is something there that you must be able to feel there is an energy at work that I must trust my audience will be able to pick up at some level.

I had this totally impossible dream of being an actress. Trust me just because I'm lucky enough to be doing this doesn't make any of this less of a pipe dream. And nothing gets my juices flowing like a really great performance. To see someone on stage I get really excited.

One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.

If the Americans go in and overthrow Saddam Hussein and it's clean he has nothing I will apologize to the nation and I will not trust the Bush administration again.

Liberty as it is conceived by current opinion has nothing inherent about it it is a sort of gift or trust bestowed on the individual by the state pending good behavior.

Bronagh looks after the kids and without her the family would disintegrate... there are some things you can't discuss with anyone other than your wife. There has to be a strong bond of trust.

The way I look at it everything is a trade. You acquire some money so then you've got no financial burdens but everyone wants your money and so who can you trust? Or you've got no money and you can trust anyone but then you've got the worry to pay bills. Which is worse?

We've outsourced our memories to digital devices and the result is that we no longer trust our memories. We see every small forgotten thing as evidence that they're failing us.

When I'm on stage it's a little world I've created where I'm sort of the thing so I have total control over everything that happens. When we're improvising I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.

The hardest thing is that you can't trust people now. You just can't.

One is that you have to take time lots of time to let an idea grow from within. The second is that when you sign on to something there will be issues of trust deep trust the way the members of a string quartet have to trust one another.

I learned something from that. If someone asks me something that I really don't want to do I say no. I have to trust that. And I'm not afraid to talk money.

Some of their best songs don't have bridges and choruses. So that made me think I should trust my instincts. My songs were okay I figured. I didn't need to change anything.

For me it's always about first impressions. I trust my instincts. I love to prepare if it's something that requires training. But I don't like to prepare the psychology too much. I enjoy the psychology of the character but I work better from a first impression.

I tend not to trust people who live in very tidy houses. I know that on the surface there is nothing wrong with a person being well-ordered and disciplined. Nothing except that it leaves the impression of that person having lived in the confines of a stark institution which although he or she has long since left remains within.

I feel I do my best work when it's all there on the page and I feel that the character is very vivid as I read the script and I'm not having to create stuff and trying to cobble together something. If I have to do that then I don't entirely trust what I'm doing.

It's just an unhealthy way to approach something trying to outdo your last thing. You've gotta trust evolution you've gotta trust that the bar is moving that you don't need to force the bar. It'll just happen.

Find people who think like you and stick with them. Make only music you are passionate about. Work only with people you like and trust. Don't sign anything.

I love actors both my parents were actors and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust it's in the bag - the actors will do everything to satisfy you.

What has any poet to trust more than the feel of the thing? Theory concerns him only until he picks up his pen and it begins to concern him again as soon as he lays it down.

Something goes wrong I yell at them -'Fix it'- whether it's their fault or not. You can only really yell at the players you trust.

You cannot do everything at once so find people you trust to help you. And don't be afraid to say no.